Paintings, drawings, prints, sculpture, photography and other works of art.
An artwork’s value rests on what can be proven about it: who made it, when, and through whose hands
it passed. Museums and auction houses keep these facts in a standard way, and a collection kept the
same way is easier to insure, lend, research and eventually sell.
Getting Started
ordicio divides fine art by object type, following the Getty Art & Architecture Thesaurus:
Paintings: oil, acrylic, tempera and watercolour on canvas, panel or
paper.
Collectors often follow an artist, a movement, a medium such as prints, or a region. Prints and
photographs are a good way to own works by major artists at accessible prices.
What to Record
Title, artist and date. Use the artist’s name as in the Getty ULAN, and record the attribution
as the trade does: “attributed to”, “circle of”, “after” mean very different things.
Medium and support, and the measurements (height before width).
Signature, inscriptions and marks, and where on the work they are.
For prints: the technique, the edition number and size (12/50), and proofs such as artist’s
proofs (AP).
For sculpture: the material, the cast number, the foundry and the patina.
For photographs: the process and whether the print is vintage (printed soon after the
negative) or a later print.
Provenance, exhibitions and literature: previous owners, shows and publications, and the
catalogue raisonné number if there is one.
Certificate of authenticity: who issued it and when.
Condition
Note the condition the way a conservator would: losses, retouching, relining or restoration, foxing
and fading on paper, and the state of the frame. Keep conservation reports with the work’s record.
Care and Storage
Hang works away from direct sunlight, radiators and damp walls. Frame works on paper with
acid-free mounts and UV-filtering glazing. Keep temperature and humidity steady.
Mistakes to Avoid
Recording a print without its edition number and size.
Losing invoices, letters and exhibition labels that prove provenance.
Cleaning or “touching up” a work instead of asking a conservator.
The 35 fields worth recording for fine art, grouped as in the
ordicio app.
Identification
The core of a catalogue entry.
Title Text
The title or name the object is known by, as given by its maker, publisher or catalogue.
Artist Text
Artist's name as in the Getty ULAN or the catalogue raisonné; add 'attributed to', 'circle of', 'after' when not certain.
Artist details Text
Nationality and life dates of the artist, e.g. German, 1880-1938.
Attribution Choice
How certain the attribution is, in the terms auction houses use.
By the artist
Attributed to
Workshop / studio of
Circle of
Follower / school of
Manner of
After (copy)
Unknown artist
Date made Text
Date of the work as known, e.g. 1912, c. 1650, 1960s.
Medium & support Text
Materials and support as in a catalogue entry, e.g. oil on canvas, watercolour and gouache on paper.
Genre Choice, or your own
Subject genre.
Portrait
Landscape
Still life
Religious / mythological / history
Genre scene
Cityscape / architecture
Marine
Animal
Nude / figure
Abstract
Style / movement Text
Style, movement or school, e.g. Impressionism, Die Brücke, Bauhaus, Pop Art.
Subject Text
What the object depicts or is about.
Measurements
Height (cm) Number
Height, measured upright as the object is meant to stand or hang.
Width (cm) Number
Width, measured from the front.
Depth (cm) Number
Depth, measured from front to back.
Framed Choice
Presentation of the work.
Framed
Unframed
Mounted / matted
Stretched (unframed)
Frame size Text
Outer dimensions of the frame, height x width x depth.
Signature & marks
Signature, inscriptions, labels and stamps on the front and back.
Signature Choice
Whether and how the work is signed.
Signed
Signed and dated
Monogrammed
Estate stamp / signature
Signed in the plate
Unsigned
Inscriptions & marks Text
Signatures, labels, stamps, hallmarks, maker's marks and numbers, transcribed as they appear and with their position.
Documentation
Where the work is recorded and has been shown.
Catalogue raisonné Text
Number in the artist's catalogue raisonné (or work catalogue), with author and year.
Certificate / expertise Text
Certificates of authenticity or expert opinions, with issuer, date and number.
Exhibitions Text
Exhibitions the work was shown in, with venue and year.
Literature Text
Publications that mention or illustrate the work.
Reference link Link
Web page about this object or its reference entry (catalogue, database, sale).
Condition
Condition Choice
Overall condition in plain terms; domains with an established grading scale use that scale instead.
Mint / as new
Excellent
Very good
Good
Fair
Poor
Condition notes Text
Faults, wear and damage in detail.
Restoration & repairs Text
Restorations, repairs, replaced parts and cleaning, with who did them and when if known.
Acquisition
How and when the object came into the collection.
Acquisition date Date
Date the object came into the collection.
Acquisition method Choice, or your own
How the object came into the collection.
Purchase
Auction
Gift
Inheritance
Exchange / trade
Self-collected / found
Commission
Acquired from Text
Seller, auction house (with sale and lot number), donor or place where it was found.
Purchase price Amount
Price paid including fees and premiums.
Provenance Text
Earlier owners and the object's history, oldest first, with sources (labels, invoices, sale catalogues).
Value
Estimated and insured value.
Estimated value Amount
Current market value as estimated.
Valuation date Date
Date of the current value estimate.
Valuation basis Choice
What the estimated value is based on.
Own estimate
Recent sales / auction results
Dealer offer
Catalogue value
Professional appraisal
Insurance valuation
Insured value Amount
Sum the object is insured for.
Collection record
Your own inventory data.
Inventory number Text
Your own number or label for the object, e.g. C-0042, as written on its label or album page.
Storage location Text
Where the object is kept, e.g. room, cabinet, drawer, album and page, box.
Standards and References
The data sheets follow the standards collectors, dealers and museums use:
Getty CDWA (Categories for the Description of Works of Art) and CDWA Lite core fields
Getty Art & Architecture Thesaurus (AAT) for object types, materials and techniques; ULAN for artist names
Object ID checklist (title, maker, date, materials, measurements, inscriptions)
Print trade conventions for editions and proofs; photographic process identification (Getty Conservation Institute, Atlas of Analytical Signatures of Photographic Processes)
Updated October 24, 2026
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